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	<title>Emily Naya</title>
	<link>https://emilynaya.com</link>
	<description>Emily Naya</description>
	<pubDate>Sat, 22 Feb 2025 20:14:03 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://emilynaya.com/Home</link>

		<pubDate>Sat, 22 Feb 2025 20:14:03 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

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	Home ︎


&#60;img width="2150" height="1462" width_o="2150" height_o="1462" data-src="https://freight.cargo.site/t/original/i/7dfed06f6ed9966efcb79b7637ccce10da36e0b8fe977a4dd6799367bbd9d49f/513E42B9-6FC6-4AF6-A8F2-97FF61915BE6_1_102_a.jpeg" data-mid="247723424" border="0"  src="https://freight.cargo.site/w/1000/i/7dfed06f6ed9966efcb79b7637ccce10da36e0b8fe977a4dd6799367bbd9d49f/513E42B9-6FC6-4AF6-A8F2-97FF61915BE6_1_102_a.jpeg" /&#62;
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		<title>Mobile nav</title>
				
		<link>https://emilynaya.com/Mobile-nav</link>

		<pubDate>Wed, 05 Oct 2022 12:39:20 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

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&#60;img width="2048" height="1629" width_o="2048" height_o="1629" data-src="https://freight.cargo.site/t/original/i/1abf50cdb7a17d968be4a260391f3c0c00c146ecdeba782e55eb230bf75513c6/Untitled_Artwork.png" data-mid="156471215" border="0"  src="https://freight.cargo.site/w/1000/i/1abf50cdb7a17d968be4a260391f3c0c00c146ecdeba782e55eb230bf75513c6/Untitled_Artwork.png" /&#62;
Drawings
︎︎︎All
Soft Sculptures︎︎︎ Taupunkt︎︎︎ Microbe
︎︎︎ Tarmac ︎︎︎ Doll and Her Doll︎︎︎Häuschen︎︎︎Tools

︎︎︎Fish Series
Video Works 

︎︎︎Käfig / Cage
︎︎︎SleepHome︎
About Me
Em@il

Instagram
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		<title>Mobile header</title>
				
		<link>https://emilynaya.com/Mobile-header</link>

		<pubDate>Wed, 05 Oct 2022 12:39:20 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

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		<title>About Me</title>
				
		<link>https://emilynaya.com/About-Me</link>

		<pubDate>Wed, 02 Nov 2022 06:08:21 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

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		<description>


I acknowledge the Traditional Owners of the land,

the Gadigal people of the Eora Nation where I live and work, and extend my respects to Elders past, present and emerging, and recognise that sovereignty has never been ceded. I celebrate the stories, culture and traditions of Aboriginal and Torres Strait Islander Elders and communities.





	
	&#60;img width="2444" height="1657" width_o="2444" height_o="1657" data-src="https://freight.cargo.site/t/original/i/f74ef79ee0120ec461b04adbeb2b483ba24e7b23810a75e95105aa50a9d2400c/EmilyNayaHeadshot.jpeg" data-mid="247723454" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/f74ef79ee0120ec461b04adbeb2b483ba24e7b23810a75e95105aa50a9d2400c/EmilyNayaHeadshot.jpeg" /&#62;
	
EN

About Me

My current interest is the materiality of memory, positing forgetting as both a disruptive and creative force. I am particularly drawn to the role of language in shaping and eroding memory. My focus is on multilingualism’s effect on speech, such as the fracturing of syntax, code-switching, and the unintended poetry that emerges from these linguistic disruptions. Animals feature prominently in my practice, symbolizing resistance to formal communication methods and challenging anthropocentric narratives. Through my work, I advocate for these perspectives and develop new ways of understanding.

While my practice is rooted in drawing, I also work with sculpture and animation, emphasizing physical forms of video-making with traditional materials like paper. 

Background and EducationI’m an artist based in Sydney.&#38;nbsp;
I received my Bachelor of Fine Arts and Science from the University of New South Wales in Sydney. 
Although I am German by nationality, I spent much of my childhood in Spain and Switzerland.

Exhibitions and Awards

Finalist in the Emerging Artist category of the Kudos Emerging Awards 2022 and 2023Finalist for the 2023 and 2024 Tim Olsen Drawing PrizeGroup exhibition, A Slightly Damaged House at AD Space in Sydney, AustraliaGroup exhibition, Eternal for a Few Weeks at UNSW Art and Design in Sydney, AustraliaRepresenting the Tim Olsen Drawing Prize at the 2024 UNSW 360 Impact Philanthropy EventExhibited at the Amano Hotel for the Berlin Gallery Weekend 2025
GER

Über Mich

Mein aktuelles Interesse gilt der Überschneidung von Erinnerung und Materialität, dem Vergessen als zugleich zerstörende und schöpferische Kraft. Die Rolle der Sprache fasziniert mich im&#38;nbsp; Bezug auf die Gestaltung und Verfall von Erinnerungen. Mein Fokus liegt auf den Effekten der Multilingualität - etwa die Fragmentierung der Syntax, Code-Switching und der unbeabsichtigten Poesie, die aus diesen sprachlichen Brüchen entsteht. Tiere sind ein zentrales Element meiner Praxis; sie stehen für Widerstand gegen formalisierte Kommunikationsformen und fordern anthropozentrische Sichtweisen heraus. Mit meinen Werken setze ich mich für diese Perspektiven ein und erkunde neue Formen des Verstehens.

Meine künstlerische Praxis basiert auf Zeichnung, umfasst jedoch auch Skulptur und Animation, mit einem Schwerpunkt auf analoge Formen der Videokunst und traditionellen Materialien wie Papier. 


Hintergrund und Ausbildung

Ich bin eine deutsche Künstlerin mit Sitz in Sydney. 

An der University of New South Wales in Sydney absolvierte ich meinen Bachelor-Abschluss in Bildende Kunst und Biologie. 

Einen großen Teil meiner Kindheit verbrachte ich in Spanien und der Schweiz, obwohl ich in Deutschland geboren wurde.


Ausstellungen und Auszeichnungen

Finalistin in der Kategorie „Emerging Artist“ der Kudos Emerging Awards 2022 und 2023Finalistin für den Tim Olsen Drawing Prize 2023 und 2024Gruppenausstellung, A Slightly Damaged House bei AD Space in Sydney, AustralienGruppenausstellung, Eternal for a Few Weeks an der UNSW Art and Design in Sydney, AustralienVertretung des Tim Olsen Drawing Prize bei der UNSW 360 Impact Philanthropy-Veranstaltung 2024Teil der Berlin Gallery Weekend Austellung für Amano Hotel in 2025

&#38;nbsp;





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		<title>drawings</title>
				
		<link>https://emilynaya.com/drawings</link>

		<pubDate>Wed, 05 Oct 2022 12:39:23 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

		<guid isPermaLink="true">https://emilynaya.com/drawings</guid>

		<description>Drawings


&#60;img width="2172" height="1448" width_o="2172" height_o="1448" data-src="https://freight.cargo.site/t/original/i/c86b432e0297f5c2f68e95cbea5d653700aeadc5abe27d446ebbffc4f4691748/7D0B5142-146D-4F00-AD05-EAED04E48AD3_1_102_a.jpeg" data-mid="247723497" border="0"  src="https://freight.cargo.site/w/1000/i/c86b432e0297f5c2f68e95cbea5d653700aeadc5abe27d446ebbffc4f4691748/7D0B5142-146D-4F00-AD05-EAED04E48AD3_1_102_a.jpeg" /&#62;
&#60;img width="2150" height="1462" width_o="2150" height_o="1462" data-src="https://freight.cargo.site/t/original/i/e06b99caf59bcaad9cf337ab82f450b4a0bed23658390203127f4e5259b0fe81/513E42B9-6FC6-4AF6-A8F2-97FF61915BE6_1_102_a.jpeg" data-mid="247723433" border="0"  src="https://freight.cargo.site/w/1000/i/e06b99caf59bcaad9cf337ab82f450b4a0bed23658390203127f4e5259b0fe81/513E42B9-6FC6-4AF6-A8F2-97FF61915BE6_1_102_a.jpeg" /&#62;

i.

&#60;img width="3013" height="2289" width_o="3013" height_o="2289" data-src="https://freight.cargo.site/t/original/i/cc4065aeedb628c6084a3cbb869de1e8793aa5d50c52cedcade6611668e16466/IMG_0554.jpg" data-mid="190097531" border="0"  src="https://freight.cargo.site/w/1000/i/cc4065aeedb628c6084a3cbb869de1e8793aa5d50c52cedcade6611668e16466/IMG_0554.jpg" /&#62;
ii.
&#60;img width="2492" height="1951" width_o="2492" height_o="1951" data-src="https://freight.cargo.site/t/original/i/1af134726c6e31fe875a03bfd5939b8884d9e2bb84ad32191021a53c41417d57/IMG_0550.jpg" data-mid="190097535" border="0"  src="https://freight.cargo.site/w/1000/i/1af134726c6e31fe875a03bfd5939b8884d9e2bb84ad32191021a53c41417d57/IMG_0550.jpg" /&#62;
iii.
&#60;img width="2894" height="2297" width_o="2894" height_o="2297" data-src="https://freight.cargo.site/t/original/i/bfd45284c81abf73b9ee46df870a2db44ac6abc1bb356fedc8ec450977b2c9fa/IMG_0555.jpg" data-mid="190097536" border="0"  src="https://freight.cargo.site/w/1000/i/bfd45284c81abf73b9ee46df870a2db44ac6abc1bb356fedc8ec450977b2c9fa/IMG_0555.jpg" /&#62;iv.
&#60;img width="1649" height="1994" width_o="1649" height_o="1994" data-src="https://freight.cargo.site/t/original/i/5bda311703b98c8743aa21841caf9e88af082dbdc3a31580d8f796be22528fef/IMG_0549.jpg" data-mid="190097534" border="0"  src="https://freight.cargo.site/w/1000/i/5bda311703b98c8743aa21841caf9e88af082dbdc3a31580d8f796be22528fef/IMG_0549.jpg" /&#62;
v.
&#60;img width="1242" height="1797" width_o="1242" height_o="1797" data-src="https://freight.cargo.site/t/original/i/4f9f1e6d72a2b36b50461e032e54d16f424f6183b8acc943d058303311fc4852/IMG_2662.jpg" data-mid="155035015" border="0"  src="https://freight.cargo.site/w/1000/i/4f9f1e6d72a2b36b50461e032e54d16f424f6183b8acc943d058303311fc4852/IMG_2662.jpg" /&#62;vi.
&#60;img width="1242" height="1377" width_o="1242" height_o="1377" data-src="https://freight.cargo.site/t/original/i/1e30e27865d44fc581ef629516a97d90463d080c1e0289d0dadc2b31beb7bbeb/IMG_2660.jpg" data-mid="155035013" border="0"  src="https://freight.cargo.site/w/1000/i/1e30e27865d44fc581ef629516a97d90463d080c1e0289d0dadc2b31beb7bbeb/IMG_2660.jpg" /&#62;vii.
&#60;img width="1242" height="1015" width_o="1242" height_o="1015" data-src="https://freight.cargo.site/t/original/i/fdf31e335ad57526f87e6885577d8bd384e84c3f4ecd36028eb1e86e8b30d29c/IMG_2667.jpg" data-mid="155035039" border="0"  src="https://freight.cargo.site/w/1000/i/fdf31e335ad57526f87e6885577d8bd384e84c3f4ecd36028eb1e86e8b30d29c/IMG_2667.jpg" /&#62;viii.
&#60;img width="1242" height="1071" width_o="1242" height_o="1071" data-src="https://freight.cargo.site/t/original/i/5e53a11e47bbf08e52873c564741c30cdc703022500b6c35bff932cf70e29a32/IMG_2666.jpg" data-mid="155035038" border="0"  src="https://freight.cargo.site/w/1000/i/5e53a11e47bbf08e52873c564741c30cdc703022500b6c35bff932cf70e29a32/IMG_2666.jpg" /&#62;ix.
&#60;img width="1228" height="1277" width_o="1228" height_o="1277" data-src="https://freight.cargo.site/t/original/i/e0d4b4aeae39c7c3cff62db0f2d1a286b3d205334fa975cab21227a274f8f64e/IMG_2664.jpg" data-mid="155035543" border="0"  src="https://freight.cargo.site/w/1000/i/e0d4b4aeae39c7c3cff62db0f2d1a286b3d205334fa975cab21227a274f8f64e/IMG_2664.jpg" /&#62;x.
&#60;img width="1242" height="1156" width_o="1242" height_o="1156" data-src="https://freight.cargo.site/t/original/i/849b1af40e8c86fd7e0e6135838c2a1adca3d56b6cb86f65a833e6eb5531f951/IMG_2665.jpg" data-mid="155035037" border="0"  src="https://freight.cargo.site/w/1000/i/849b1af40e8c86fd7e0e6135838c2a1adca3d56b6cb86f65a833e6eb5531f951/IMG_2665.jpg" /&#62;xi.




&#60;img width="3144" height="3144" width_o="3144" height_o="3144" data-src="https://freight.cargo.site/t/original/i/130a71c96030ecaf259444dc85b9222bcb15d94a9c68ce1deec9c842c248b296/IMG_3471.jpg" data-mid="227018167" border="0"  src="https://freight.cargo.site/w/1000/i/130a71c96030ecaf259444dc85b9222bcb15d94a9c68ce1deec9c842c248b296/IMG_3471.jpg" /&#62;
xii.</description>
		
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	<item>
		<title>Tarmac</title>
				
		<link>https://emilynaya.com/Tarmac</link>

		<pubDate>Sun, 26 Jan 2025 22:40:56 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

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&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/8cafa101b5dbbf2f07e3d7092434f40471bd92bf3629a32bd923c24812dcb7cc/tarmac.jpg" data-mid="225561320" border="0"  src="https://freight.cargo.site/w/1000/i/8cafa101b5dbbf2f07e3d7092434f40471bd92bf3629a32bd923c24812dcb7cc/tarmac.jpg" /&#62;
Tarmac
2023, Aeroplanes: coloured pencil, pastel pencil, soft pastel and watercolour on synthetic silk fabric, sewn onto cane that is held together with masking tape (150 x 125 x 55 cm) and (115 x 100 x 35 cm), Map: coloured pencil, pastel pencil, soft pastel and watercolour on synthetic silk fabric (115 x 189 cm).

Tarmac explores the engendered inability to recognise the value of the natural environment, and the neglect to care or account for it in the pursuit of industry.&#38;nbsp; It is grounded in the theory of natural aesthetics and Kantian ‘disinterestedness’, the natural world having value separate from economics or possessions. The work highlights the collective intelligence it takes to develop advanced machinery, which seems to sit in opposition to the feebleness of human bodies. 

&#60;img width="5712" height="4284" width_o="5712" height_o="4284" data-src="https://freight.cargo.site/t/original/i/32061b700cf1e9c6a0ccb5ff5af74d5e8cc31c600e718186dbdd0b68d4b2cc65/IMG_1604.jpg" data-mid="225561342" border="0"  src="https://freight.cargo.site/w/1000/i/32061b700cf1e9c6a0ccb5ff5af74d5e8cc31c600e718186dbdd0b68d4b2cc65/IMG_1604.jpg" /&#62;
&#60;img width="4923" height="3692" width_o="4923" height_o="3692" data-src="https://freight.cargo.site/t/original/i/e6c8eabc17f77955a3abacbe486613f62cffd42bbc9dbfca0f9fa19df3511332/IMG_1633.jpg" data-mid="225561359" border="0"  src="https://freight.cargo.site/w/1000/i/e6c8eabc17f77955a3abacbe486613f62cffd42bbc9dbfca0f9fa19df3511332/IMG_1633.jpg" /&#62;

The focus of Tarmac is the devastation that the development and expansion of the Kingsford Smith (KS) Airport has had on communities and the environment, as well as the impending destruction to be wrought by the Western Sydney (WS) Airport. Even with the historical insights into the disruptive development of KS Airport, governing bodies are repeating the same mistakes. Health issues have been borne from noise and air pollution, and there have been disruptions to the migration patterns and feeding/breeding habitats of vulnerable species, from birds to sea life. Now WS Airport is being developed near the Blue Mountains World Heritage Area, with flight paths proposed over invaluable natural habitats and communities.&#38;nbsp;
 

&#60;img width="5712" height="4284" width_o="5712" height_o="4284" data-src="https://freight.cargo.site/t/original/i/f41d3df9e73ecb5bb2692d540d3118ed70068d089307bd05e4792fcba424f362/IMG_1627.jpg" data-mid="225561326" border="0"  src="https://freight.cargo.site/w/1000/i/f41d3df9e73ecb5bb2692d540d3118ed70068d089307bd05e4792fcba424f362/IMG_1627.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1c486e68eb4a973ec5e0ed0dfab4983d610f834d8a5092048a3d726d90384129/IMG_1642.jpg" data-mid="225561335" border="0"  src="https://freight.cargo.site/w/1000/i/1c486e68eb4a973ec5e0ed0dfab4983d610f834d8a5092048a3d726d90384129/IMG_1642.jpg" /&#62;
&#60;img width="5712" height="4284" width_o="5712" height_o="4284" data-src="https://freight.cargo.site/t/original/i/c77d6ce5e15336e33d8ef1fcf6ae590e36f75e28c8af80c0e93ffbfab447efb6/IMG_1629.jpg" data-mid="225561323" border="0"  src="https://freight.cargo.site/w/1000/i/c77d6ce5e15336e33d8ef1fcf6ae590e36f75e28c8af80c0e93ffbfab447efb6/IMG_1629.jpg" /&#62;
Tarmac is made of three components in dialogue; a map and two aeroplanes.
The map shows organic, undefined imagery layered with a rigid schematic map of metropolitan and greater Sydney. It includes land clearing zones, flight paths, noise disturbance zones, environmentally damaged areas and animals affected by the building of the airports. These areas are drawn as bodily manifestations of pain, with elements akin to inflamed looking flesh and bruising. The aeroplanes mirror the map, with drawings of exposed bone, venation and contusions. The skin is emblematic of the fragility of ecological systems, in constant threat of the unyielding violence of the machine. 

&#60;img width="5712" height="4284" width_o="5712" height_o="4284" data-src="https://freight.cargo.site/t/original/i/637c1ee8296be1e7a9578d160a6f24a2fb738a7b3db2bf8923e9ea15c7d14bcb/IMG_1594.jpg" data-mid="225561319" border="0"  src="https://freight.cargo.site/w/1000/i/637c1ee8296be1e7a9578d160a6f24a2fb738a7b3db2bf8923e9ea15c7d14bcb/IMG_1594.jpg" /&#62;

&#60;img width="5346" height="4010" width_o="5346" height_o="4010" data-src="https://freight.cargo.site/t/original/i/5ec462c738bdc7b0a8f99615e296133739f9a6f7e1dcb9b063e9bbf5664f6950/IMG_1646.jpg" data-mid="225561364" border="0"  src="https://freight.cargo.site/w/1000/i/5ec462c738bdc7b0a8f99615e296133739f9a6f7e1dcb9b063e9bbf5664f6950/IMG_1646.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Doll and Her Doll</title>
				
		<link>https://emilynaya.com/Doll-and-Her-Doll</link>

		<pubDate>Mon, 17 Feb 2025 11:41:29 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

		<guid isPermaLink="true">https://emilynaya.com/Doll-and-Her-Doll</guid>

		<description>&#60;img width="4352" height="3264" width_o="4352" height_o="3264" data-src="https://freight.cargo.site/t/original/i/20610072b4677842a0599d5a511943d4cdbb7b2a22ed57669d1ac2de71a37c88/SANY0808.jpg" data-mid="226693541" border="0"  src="https://freight.cargo.site/w/1000/i/20610072b4677842a0599d5a511943d4cdbb7b2a22ed57669d1ac2de71a37c88/SANY0808.jpg" /&#62;Doll and Her Doll
2023, fabric, soft pastels, polyester fill, wire and string, 50x10x8 cm and 23x5x3 cm

This work pushed me to engage with the idea of gendered performance in everyday life, and how this is reinforced in childhood. I investigated the purpose of dolls and how they are used through thinking back on my childhood. I remembered that I used to reenact everyday scenarios, such as my ballet classes with my dolls. Playing can be used to mirror personal experiences and allows you to watch yourself from an outside perspective. Perhaps this is a way of practicing how you present yourself, or how you should react in different scenarios. This type of play mirrors societal pressures to perfect performance of gender. I dressed the dolls in a ballet outfit as a symbol of the stereotypical ideal for women, the rigid standard for ballet dancers' bodies and meticulously crafted performances. 
&#60;img width="4352" height="3264" width_o="4352" height_o="3264" data-src="https://freight.cargo.site/t/original/i/cdb786aa884af67de85a2aec824ca2a8fa87af2123bfe66e58548e9835e39f15/SANY0798.jpg" data-mid="226693539" border="0"  src="https://freight.cargo.site/w/1000/i/cdb786aa884af67de85a2aec824ca2a8fa87af2123bfe66e58548e9835e39f15/SANY0798.jpg" /&#62;

&#60;img width="4352" height="3264" width_o="4352" height_o="3264" data-src="https://freight.cargo.site/t/original/i/494d830b8163402bdeef0f1a681e746078bc1cbbc53d30e25915d8fc7c2f48d2/SANY0805.jpg" data-mid="226693540" border="0"  src="https://freight.cargo.site/w/1000/i/494d830b8163402bdeef0f1a681e746078bc1cbbc53d30e25915d8fc7c2f48d2/SANY0805.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>häuschen</title>
				
		<link>https://emilynaya.com/hauschen</link>

		<pubDate>Wed, 05 Oct 2022 12:39:21 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

		<guid isPermaLink="true">https://emilynaya.com/hauschen</guid>

		<description>
	
&#60;img width="1861" height="1073" width_o="1861" height_o="1073" data-src="https://freight.cargo.site/t/original/i/864e47b0abeab7ab1899170a2e3195866ba1991d2fe8db4d6bcff82baf788d1e/IMG_4243.jpg" data-mid="155002036" border="0"  src="https://freight.cargo.site/w/1000/i/864e47b0abeab7ab1899170a2e3195866ba1991d2fe8db4d6bcff82baf788d1e/IMG_4243.jpg" /&#62;

	
&#60;img width="1816" height="1037" width_o="1816" height_o="1037" data-src="https://freight.cargo.site/t/original/i/44bc07909549b44c14fbe87011439d55acb7e30fa94104946b9ee1a9a42ecd22/IMG_4244.jpg" data-mid="155002037" border="0"  src="https://freight.cargo.site/w/1000/i/44bc07909549b44c14fbe87011439d55acb7e30fa94104946b9ee1a9a42ecd22/IMG_4244.jpg" /&#62;




häuschen
2021, soft sculpture, 10 x 15 cm









Exploring the idea that nostalgic and comfortable memories can be distorted over
time. Nostalgia can be evoked by pleasant as well as uncanny images and the intersection between both is where&#38;nbsp;häuschen lives.&#38;nbsp;

&#60;img width="1242" height="913" width_o="1242" height_o="913" data-src="https://freight.cargo.site/t/original/i/c47dbd7ac1cd9da70d20506d9aba36e5ee82af5e9314ac29e7f237055c6b5e2d/IMG_2610.jpg" data-mid="155003241" border="0"  src="https://freight.cargo.site/w/1000/i/c47dbd7ac1cd9da70d20506d9aba36e5ee82af5e9314ac29e7f237055c6b5e2d/IMG_2610.jpg" /&#62;
iii.
&#60;img width="1242" height="923" width_o="1242" height_o="923" data-src="https://freight.cargo.site/t/original/i/d83e7cac8e1305f2d8185c66ada7c5308169737731b7599b816c5da8d07ab43b/IMG_2611.jpg" data-mid="155003328" border="0"  src="https://freight.cargo.site/w/1000/i/d83e7cac8e1305f2d8185c66ada7c5308169737731b7599b816c5da8d07ab43b/IMG_2611.jpg" /&#62;
iv.
</description>
		
	</item>
		
		
	<item>
		<title>tools</title>
				
		<link>https://emilynaya.com/tools</link>

		<pubDate>Wed, 05 Oct 2022 12:39:21 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

		<guid isPermaLink="true">https://emilynaya.com/tools</guid>

		<description>&#60;img width="1242" height="675" width_o="1242" height_o="675" data-src="https://freight.cargo.site/t/original/i/4d73616e177afde04abe644a93bae0e8a70da408b9510d607e593ce4f1e78dff/IMG_5345.jpg" data-mid="155004153" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/4d73616e177afde04abe644a93bae0e8a70da408b9510d607e593ce4f1e78dff/IMG_5345.jpg" /&#62;


	
&#60;img width="1242" height="891" width_o="1242" height_o="891" data-src="https://freight.cargo.site/t/original/i/6df8a5868579ef51a4158d7a4488a1786c2aee2eeec87eb0ccc5ca40c4ea12fa/IMG_2623.jpg" data-mid="155004202" border="0"  src="https://freight.cargo.site/w/1000/i/6df8a5868579ef51a4158d7a4488a1786c2aee2eeec87eb0ccc5ca40c4ea12fa/IMG_2623.jpg" /&#62;

	&#60;img width="1621" height="1242" width_o="1621" height_o="1242" data-src="https://freight.cargo.site/t/original/i/07203628cef38248695f2164e2d744c633b9b17397a38afdcef2734ebc7b030e/IMG_2619.jpg" data-mid="155004200" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/07203628cef38248695f2164e2d744c633b9b17397a38afdcef2734ebc7b030e/IMG_2619.jpg" /&#62;


tools

2021, soft sculpture, 15cm ea.
 
tools is an exploration of growth and naivety; having the tools needed for progress but lacking in tenacity.


&#60;img width="1242" height="906" width_o="1242" height_o="906" data-src="https://freight.cargo.site/t/original/i/4cac83183152ee23813e40f1f1b836c6d580a864ca780a90240e720572d8542c/IMG_2620.jpg" data-mid="155004201" border="0"  src="https://freight.cargo.site/w/1000/i/4cac83183152ee23813e40f1f1b836c6d580a864ca780a90240e720572d8542c/IMG_2620.jpg" /&#62;

&#38;lt;falling flat&#38;gt;&#60;img width="1011" height="671" width_o="1011" height_o="671" data-src="https://freight.cargo.site/t/original/i/f1acd51fc410e9fd90ab9dfa89a52e4f5225548ea83429bbfdb90899633b45b8/IMG_5346.jpg" data-mid="155004369" border="0"  src="https://freight.cargo.site/w/1000/i/f1acd51fc410e9fd90ab9dfa89a52e4f5225548ea83429bbfdb90899633b45b8/IMG_5346.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>caretaker</title>
				
		<link>https://emilynaya.com/caretaker</link>

		<pubDate>Wed, 05 Oct 2022 12:39:22 +0000</pubDate>

		<dc:creator>Emily Naya</dc:creator>

		<guid isPermaLink="true">https://emilynaya.com/caretaker</guid>

		<description>

&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/2269d563cd66aac2923f4407dd9c1e954d8b29b806be6caa9390578fbe61e5e4/SANY0188.JPG" data-mid="155039667" border="0"  src="https://freight.cargo.site/w/1000/i/2269d563cd66aac2923f4407dd9c1e954d8b29b806be6caa9390578fbe61e5e4/SANY0188.JPG" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/6c9fc858c954884f8558b029822a666ce05021957d86b25ee1dff39fb61f7b65/SANY0167.JPG" data-mid="155039664" border="0"  src="https://freight.cargo.site/w/1000/i/6c9fc858c954884f8558b029822a666ce05021957d86b25ee1dff39fb61f7b65/SANY0167.JPG" /&#62;
caretaker2022, soft sculpture and found object,&#38;nbsp;
73 x 57 cm



The pram is an object that evokes an instinct of protectiveness and nurturing, emotions that can feel unfamiliar when associated with fish. The idea came from the stark difference in our ability to feel empathy for different types of animals. The fish series and&#38;nbsp;caretaker are investigations into the limits humans have for forming conections.

&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/5c09c7f068870397ae077b048e660d0238beab18d321385a5375e4e8a9632149/SANY0168.JPG" data-mid="155039665" border="0"  src="https://freight.cargo.site/w/1000/i/5c09c7f068870397ae077b048e660d0238beab18d321385a5375e4e8a9632149/SANY0168.JPG" /&#62;




&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/e66675a6d8853b8d1cee3e4bb2e6b73f9d17df28ac5e950365a2e465188f2f86/SANY0213.JPG" data-mid="155039668" border="0"  src="https://freight.cargo.site/w/1000/i/e66675a6d8853b8d1cee3e4bb2e6b73f9d17df28ac5e950365a2e465188f2f86/SANY0213.JPG" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/37cea8d5aece2139124d68d71aa41485b4bd91cc81918b29244eaa9cec378537/SANY0142.JPG" data-mid="155039662" border="0"  src="https://freight.cargo.site/w/1000/i/37cea8d5aece2139124d68d71aa41485b4bd91cc81918b29244eaa9cec378537/SANY0142.JPG" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/ea3e38e01adb6881f8142a833d83a85510aa0d4c6060eec3f12047ae009fee94/SANY0217.JPG" data-mid="155039669" border="0"  src="https://freight.cargo.site/w/1000/i/ea3e38e01adb6881f8142a833d83a85510aa0d4c6060eec3f12047ae009fee94/SANY0217.JPG" /&#62;


&#60;img width="3940" height="1303" width_o="3940" height_o="1303" data-src="https://freight.cargo.site/t/original/i/c72a9072aa15964b50554658141e78605e0963df14a841fd8e237a2f0bcc380d/SANnnnY0188.jpg" data-mid="155040853" border="0"  src="https://freight.cargo.site/w/1000/i/c72a9072aa15964b50554658141e78605e0963df14a841fd8e237a2f0bcc380d/SANnnnY0188.jpg" /&#62;


&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/ffb8c9c3ce4a127dccec60f634b08783ab506403f2c75c3de382e024a3a1aa65/SANY0157.JPG" data-mid="155039663" border="0"  src="https://freight.cargo.site/w/1000/i/ffb8c9c3ce4a127dccec60f634b08783ab506403f2c75c3de382e024a3a1aa65/SANY0157.JPG" /&#62;︎︎︎


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